Copy it to the first part, in this case the 1st trumpet.Ħ. These are borrowed from the Band-in-a-Box and work best as follows:Ĥ. ![]() The second time saver that I find very Helpful in Finale is the Band-in-a-Box plug-ins. Make the appropriate settings in the Explode Window – how many staves, and where to place the notes. Press the shortcut the number 2 or choose Utilities > Explode Music.Ĥ. Enter the block chords in the sketch part.ģ. Then, use Explode to push them into the specific part of the arrangement. So, when I am creating my sketch and there is going to be harmony in a section of the entire score, I place the chords in one voice of the sketch score. The highlighted portion is not lost so you can do this multiple times throughout the score. ![]() Select the source material, hold down CTRL (Win) or Command (Mac) and click the mouse in the destination bar. I then can copy and paste these ideas into the score and save time.īTW, be sure to use the instant copy command that is used in both Finale and Sibelius. Then I compose the melody, bass line, counterlines and some of the harmonies and chord symbols. Ever since then, I create several scratch staves at the top of the score, often just a treble and bass staff. ![]() He said, really? Why not do it all in the software so you can take advantage of copy and paste? That was good advice. I told him I sketched the piece on manuscript paper and then created the score in notation software. Students at the University of the Arts asked how I composed. When writing a score in notation software, I do most of the work on the computer.
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